{"id":101,"date":"2020-09-03T15:35:26","date_gmt":"2020-09-03T12:35:26","guid":{"rendered":"http:\/\/acikkitap.com.tr\/dijital\/chapter\/__unknown__-27\/"},"modified":"2020-09-03T15:35:26","modified_gmt":"2020-09-03T12:35:26","slug":"__unknown__-27","status":"publish","type":"chapter","link":"https:\/\/acikkitap.com.tr\/dijital\/chapter\/__unknown__-27\/","title":{"raw":"4.1 \u00c7evrim i\u00e7i \u00f6\u011frenme ve \u00f6\u011fretme y\u00f6ntemleri","rendered":"4.1 \u00c7evrim i\u00e7i \u00f6\u011frenme ve \u00f6\u011fretme y\u00f6ntemleri"},"content":{"raw":"\n<p lang=\"en-CA\"><span style=\"font-family: Book Antiqua, serif;\"><span lang=\"zxx\">\u00c7evrim i\u00e7i \u00f6\u011frenme, hem s\u0131n\u0131f \/ kamp\u00fcs temelli \u00f6\u011fretimi giderek daha fazla etkilemektedir ancak daha da \u00f6nemlisi \u00f6\u011fretim ve \u00f6\u011frenim i\u00e7in yeni modellere veya tasar\u0131mlara yol a\u00e7maktad\u0131r.<\/span><\/span><\/p>\n<p lang=\"en-CA\"><span style=\"font-family: Book Antiqua, serif;\"><span lang=\"zxx\">Film end\u00fcstrisi i\u015fe ilk ba\u015flad\u0131\u011f\u0131nda, \u00fcretilen filmler daha \u00f6nce sahnelerde sergilenen m\u00fczikal ve vodvillerin sinema ekran\u0131na aktar\u0131lm\u0131\u015f h\u00e2llerinden ibaretti. Ard\u0131ndan D.W. Griffith\u2019in o zamanlar sinemaya \u00f6zg\u00fc panoramik uzun \u00e7ekimler, kayd\u0131rma \u00e7ekimleri, ger\u00e7ek\u00e7i sava\u015f sahneleri ve \u015fimdi \u00f6zel efektler olarak bilinen teknikleri tan\u0131tt\u0131\u011f\u0131 'Bir Ulusun Do\u011fu\u015fu', film tasar\u0131m\u0131n\u0131 d\u00f6n\u00fc\u015ft\u00fcrm\u00fc\u015ft\u00fcr.<\/span><\/span><\/p>\n<p lang=\"en-CA\"><span style=\"font-family: Book Antiqua, serif;\"><span lang=\"zxx\">G\u00fcn\u00fcm\u00fczde \u00e7evrim i\u00e7i \u00f6\u011frenmeyle ilgili de benzer bir geli\u015fme ya\u015fan\u0131yor. Ba\u015flang\u0131\u00e7ta iki temel etki vard\u0131: S\u0131n\u0131f \u00f6\u011fretiminden gelen tasar\u0131m modelleri ve bas\u0131l\u0131 kaynaklar veya \u00e7oklu ortam destekli uzaktan e\u011fitimden miras kalan tasar\u0131m modelleri. Zaman ge\u00e7tik\u00e7e, \u00e7evrim i\u00e7i \u00f6\u011frenmenin kendine \u00f6zg\u00fc \u00f6zelliklerini kullanan yeni tasar\u0131mlar ortaya \u00e7\u0131kmaya ba\u015flad\u0131.<\/span><\/span><\/p>\n<p lang=\"en-CA\"><span style=\"font-family: Book Antiqua, serif;\"><span lang=\"zxx\">\u00d6\u011fretimi \u00e7evrim i\u00e7i ortama ta\u015f\u0131d\u0131\u011f\u0131m\u0131zda yapt\u0131\u011f\u0131m\u0131z \u015fey, asl\u0131nda, \u00f6\u011frenme ortam\u0131n\u0131 de\u011fi\u015ftirmektir. Dolay\u0131s\u0131yla bu k\u0131s\u0131ma kadar \u00f6\u011fretim y\u00f6ntemleriyle ilgili konu\u015fmakta iken, art\u0131k \u00f6\u011fretim y\u00f6nteminin bilin\u00e7li olarak \u00f6\u011frenme ortamlar\u0131na uyarland\u0131\u011f\u0131 tasar\u0131m modellerinden bahsedece\u011fiz.<\/span><\/span><\/p>\n","rendered":"<p lang=\"en-CA\"><span style=\"font-family: Book Antiqua, serif;\"><span lang=\"zxx\">\u00c7evrim i\u00e7i \u00f6\u011frenme, hem s\u0131n\u0131f \/ kamp\u00fcs temelli \u00f6\u011fretimi giderek daha fazla etkilemektedir ancak daha da \u00f6nemlisi \u00f6\u011fretim ve \u00f6\u011frenim i\u00e7in yeni modellere veya tasar\u0131mlara yol a\u00e7maktad\u0131r.<\/span><\/span><\/p>\n<p lang=\"en-CA\"><span style=\"font-family: Book Antiqua, serif;\"><span lang=\"zxx\">Film end\u00fcstrisi i\u015fe ilk ba\u015flad\u0131\u011f\u0131nda, \u00fcretilen filmler daha \u00f6nce sahnelerde sergilenen m\u00fczikal ve vodvillerin sinema ekran\u0131na aktar\u0131lm\u0131\u015f h\u00e2llerinden ibaretti. Ard\u0131ndan D.W. Griffith\u2019in o zamanlar sinemaya \u00f6zg\u00fc panoramik uzun \u00e7ekimler, kayd\u0131rma \u00e7ekimleri, ger\u00e7ek\u00e7i sava\u015f sahneleri ve \u015fimdi \u00f6zel efektler olarak bilinen teknikleri tan\u0131tt\u0131\u011f\u0131 &#8216;Bir Ulusun Do\u011fu\u015fu&#8217;, film tasar\u0131m\u0131n\u0131 d\u00f6n\u00fc\u015ft\u00fcrm\u00fc\u015ft\u00fcr.<\/span><\/span><\/p>\n<p lang=\"en-CA\"><span style=\"font-family: Book Antiqua, serif;\"><span lang=\"zxx\">G\u00fcn\u00fcm\u00fczde \u00e7evrim i\u00e7i \u00f6\u011frenmeyle ilgili de benzer bir geli\u015fme ya\u015fan\u0131yor. Ba\u015flang\u0131\u00e7ta iki temel etki vard\u0131: S\u0131n\u0131f \u00f6\u011fretiminden gelen tasar\u0131m modelleri ve bas\u0131l\u0131 kaynaklar veya \u00e7oklu ortam destekli uzaktan e\u011fitimden miras kalan tasar\u0131m modelleri. Zaman ge\u00e7tik\u00e7e, \u00e7evrim i\u00e7i \u00f6\u011frenmenin kendine \u00f6zg\u00fc \u00f6zelliklerini kullanan yeni tasar\u0131mlar ortaya \u00e7\u0131kmaya ba\u015flad\u0131.<\/span><\/span><\/p>\n<p lang=\"en-CA\"><span style=\"font-family: Book Antiqua, serif;\"><span lang=\"zxx\">\u00d6\u011fretimi \u00e7evrim i\u00e7i ortama ta\u015f\u0131d\u0131\u011f\u0131m\u0131zda yapt\u0131\u011f\u0131m\u0131z \u015fey, asl\u0131nda, \u00f6\u011frenme ortam\u0131n\u0131 de\u011fi\u015ftirmektir. Dolay\u0131s\u0131yla bu k\u0131s\u0131ma kadar \u00f6\u011fretim y\u00f6ntemleriyle ilgili konu\u015fmakta iken, art\u0131k \u00f6\u011fretim y\u00f6nteminin bilin\u00e7li olarak \u00f6\u011frenme ortamlar\u0131na uyarland\u0131\u011f\u0131 tasar\u0131m modellerinden bahsedece\u011fiz.<\/span><\/span><\/p>\n","protected":false},"author":1,"menu_order":2,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[48],"contributor":[],"license":[],"class_list":["post-101","chapter","type-chapter","status-publish","hentry","chapter-type-numberless"],"part":98,"_links":{"self":[{"href":"https:\/\/acikkitap.com.tr\/dijital\/wp-json\/pressbooks\/v2\/chapters\/101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acikkitap.com.tr\/dijital\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/acikkitap.com.tr\/dijital\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/acikkitap.com.tr\/dijital\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":0,"href":"https:\/\/acikkitap.com.tr\/dijital\/wp-json\/pressbooks\/v2\/chapters\/101\/revisions"}],"part":[{"href":"https:\/\/acikkitap.com.tr\/dijital\/wp-json\/pressbooks\/v2\/parts\/98"}],"metadata":[{"href":"https:\/\/acikkitap.com.tr\/dijital\/wp-json\/pressbooks\/v2\/chapters\/101\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/acikkitap.com.tr\/dijital\/wp-json\/wp\/v2\/media?parent=101"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/acikkitap.com.tr\/dijital\/wp-json\/pressbooks\/v2\/chapter-type?post=101"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/acikkitap.com.tr\/dijital\/wp-json\/wp\/v2\/contributor?post=101"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/acikkitap.com.tr\/dijital\/wp-json\/wp\/v2\/license?post=101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}